BOOKS
וילה בג'ונגל: אפריקה בתרבות הישראלית. ירושלים ותל אביב: מכון ון-ליר והוצאת הקיבוץ המאוחד, 2013
The Holy Land in English Culture, 1799-1917: Palestine and the Question of Orientalism. Oxford: Oxford University Press, 2005.
EDITED VOLUMES
Co-editor (with Nadia Valman), “The Jew” in Late-Victorian and Edwardian Culture: Between the East End and East Africa, Palgrave Studies in Nineteenth-Century Writing and Culture. London: Palgrave. 2009.
CHAPTERS IN COLLECTED VOLUMES
(With Ayelet Ben-Yishai). “Emergency Fictions”, in Ulka Anjaria (ed.), The History of the Indian Novel in English. Cambridge: Cambridge University Press, 2015. 162-176.
“Bethlehem”, in David Gange and Michael Ledger Lomas (eds.), Cities of God: Archaeology and the Bible in Nineteenth-Century Britain. Cambridge: Cambridge University Press, 2013. 228-53.
“‘With the Practised Eye of a Deaf Person’: Martineau’s Travel Writing and the Construction of the Disabled Traveler”, in Ella Dzelzainis and Cora Kaplan (eds.), Harriet Martineau: Authorship, Society and Empire. Manchester: Manchester University Press, 2010. 165-79.
“Dibuk, Ba’al, Ba’it: Shmuel Hasfari ve-hamasoret ha-fantastit ba-teatron ha-israeli” (“Dybbuk, Husband, Home: Shamuel Hasfari and the Fantastic Tradition in Israeli Theatre”), in Hagar Yanai and Daniella Gurevitz (eds.), With Both Feet on the Clouds: Fantasy in Hebrew Literature. Tel-Aviv: Graff, 2009. 82-109.
“Fighting Pioneer Youth: Zionist Scouting in Israel and Baden-Powell’s Legacy”, in Tammy Proctor and Nelson Block (eds.), Scouting Frontiers: Youth and the Scout Movement’s First Century. Cambridge: Cambridge Scholars Press, 2009. 42-55.
(With Nadia Valman), “Introduction: Between the East End and East Africa: Rethinking Images of ‘the Jew’ in Late-Victorian and Edwardian Culture”, in Bar-Yosef and Valman (eds.), “The Jew” in Late-Victorian and Edwardian Culture. 1-27.
“A Villa in the Jungle: Herzl, Zionist Culture, and the Great African Adventure”, in Mark Gelber and Vivian Liske (eds.), Theodor Herzl: From Europe to Zion. Tübingen: Niemeyer, 2007. 85-102.
“Jerusalem, My Happy Home: The Palestine Exhibition and the Limits of the Orientalist Imagination”, in Jim Buzard, Joseph Childers, and Eileen Gillooly (eds.), Victorian Prism: Refractions of the Crystal Palace. Charlottesville: University of Virginia Press, 2007. 186-202.
“Green and Pleasant Lands: England and the Holy Land in Plebeian Millenarian Culture, c.1790-1820”, in Kathleen Wilson (ed.), A New Imperial History: Culture, Identity and Modernity in Britain and the Empire, 1660-1840. Cambridge: Cambridge University Press, 2004. 155-75.
REFEREED ARTICLES IN SCHOLARLY JOURNALS
“Dr. Perowne and Mr. Baxter: Gothic Resonances in Ian McEwan’s Saturday”. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, published online 22 March 2020. https://doi.org/10.1080/0895769X.2020.1742081
“A Guide to Performance: Role-Playing, Theatricality and Celebrity in R.K. Narayan’s The Guide and My Dateless Diary”. Journal of Commonwealth Literature, published online 21 July 2020. https://doi.org/10.1177/0021989420918654
“Babies in Bags: Dracula and The Importance of Being Earnest”. Explicator, 79.1-2: 74-78.
“Bonding with the British: Colonial Nostalgia and the Idealization of Mandatory Palestine in Israeli Literature and Culture after 1967”. Jewish Social Studies, n.s., 21.3 (2017):1-37.
"בצעד בטוח: מרחב, חברה ותרבות בסדרת הטלוויזיה עברית בסימן טוב" (Sure-footed: Territory, Society and Culture in the Educational Television Series Ivrit be-Siman Tov). Iyunim bitkumat Israel, 11 (2017) [thematic series; special issue on Israel 1967-1977: Continuity and Turning]: 276-307.
“‘The Horror’ in Hebrew: Heart of Darkness in Israeli Culture”. Interventions: International Journal of Postcolonial Studies, 18.3 (2016): 319-334.
“Theater, Masculinity and Class in the First World War: Vivian Gilbert Performs the Last Crusade”. TDR/The Drama Review, 58.2 (2013): 51-71.
“New Cities for New Jews: Haifa as Futuristic Urban Fantasy in Theodor Herzl’s Altneuland and Violet Guttenberg’s A Modern Exodus”. Journal of Modern Jewish Studies, 12.2 (2013): 162-183.
“Zionism, Apartheid, Blackface: Cry the Beloved Country on the Israeli Stage”. Representations, 123 (2013): 117-153.
“The ‘Deaf Traveller’, the ‘Blind Traveller’, and Constructions of Disability in Nineteenth-Century Travel Writing”. Victorian Review, 35.2 (2009): 133-154.
“I’m Just a Pen: Travel, Performance, and Orientalism in David Hare’s Via Dolorosa and Acting Up”. Theatre Journal, 59.2 (2007): 259-77.
“It’s the Old Story: David and Uriah in II Samuel and David Copperfield”. Modern Language Review, 101.4 (2007): 957-66.
“Lama lo Uganda: ha-mishlahat ha-tzionit le-mizrah Africa, 1905” (“Why Not Ugandah: The Zionist Commission to East Africa, 1905”). Teoria U-vikoret (Theory & Criticism), 28 (2006): 75-100.
“Christian Zionism in Victorian Culture”. Israel Studies, 8.2 (2003): 18-44
“E. Nesbit and the Fantasy of Reverse Colonization: How Many Miles to Modern Babylon?”. English Literature in Transition, 1880-1920, 46.1 (2003): 5-28.
“Let Me Die With the Philistines: Gissing’s Suicidal Realism”. LIT: Literature Interpretation Theory, 14.3 (2003): 185-204
“An Ocean of Soap and Water: The Domestication of Imperial Imagery in Dombey and Son”. Dickens Quarterly, 19.4 (2002): 220-231.
“Tzayar o tzayad: Nahum Gutman, lobengulu melek zulu ve-hasefer ha-drom afrikani” (“Painter or Hunter: Nahum Gutman, Lobengulu King of Zulu and the South-African Book”). Teoria U-vikoret (Theory & Criticism), 20 (2002): 113-136.
“The Last Crusade? British Propaganda and the Palestine Campaign, 1917-18”. Journal of Contemporary History, 36.1 (2001): 87-109.
