​​​​​​​​​​​​​​​​​​​​​Maayan Amir, Visual Evidence and the Gaza Flotilla Raid: Extraterritoriality and the Image

(London, I.B. Tauris, in print). 


​Daniel M. Unger eds., Titian’s ‘Allegory of Marriage’: New Approaches 
(Amsterdam University Press, in print).

Sara Offenberg, Nabih Bashir, Ehud Krinis, and Shalom Sadik eds., Polemical and Exegetical Polarities in Medieval Jewish Cultures Studies in Honour of Daniel J. Lasker (Berlin: De Gruyter).
Nea Ehrlich, Animating Truth: Documentary and Visual culture in the 21st Century
(Edinburgh: Edinburgh University Press).

Ingrid Baumgarten, Nirit Ben-Aryeh Debby, and Katrin Kogman Appel eds., Maps and Travel: Knowledge, Imagination and Visual Culture (Berlin: De Gruyter).

Sara Offenberg, Up in Arms: Images of Knights and the Divine Chariot in Esoteric Ashkenazi Manuscripts of the Middle Ages (Los Angeles: Cherub Press). 

,​Daniel M. Unger, Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Practice

and Criticism (Amsterdam: Amsterdam University Press)


Nea Ehrlich and Jonathan Murray eds., Drawn from Life - The First Anthology about Animated Documentaries (Edinburgh: Edinburgh University Press). [Runner-Up for Best Edited Collection 2020 by the British Association of Film, Television and Screen Studies (BAFTSS) Awards]. 

Ruth Lubashevsky and Ronit Milano eds., Light in a Socio-Cultural Perspective

(Newcastle upon Tyne: Cambridge Scholars Publishing).

Nirit Ben-Aryeh Debby, Crusade Propaganda in Word and Image in Early Modern Italy: Niccolò Guidalotto's Panorama of Constantinople (1662) (CRRS: Center f​or Renaissance and Reformation, Toronto). Published in Italian: Niccolò Guidalotto e la Panorama di Constantinopoli (Venice: Lineacqua, 2019).
Nirit Ben-Aryeh Debby, Sally Cornelison, and Peter Howard eds., Word, Deed & Image: Mendicant to the World 
(Turnhout: Brepols).

​​Maayan Amir and Ruti Sela, Extraterritorialities in Occupied Worlds

(Santa Barbara CA: Punctum Books). 


Nirit Ben-Aryeh Debby, Predicatori, artisti e santi nella Toscana del Rinascimento,    ​​

(Florence: Florence University Press EDIFIR). 

​Ronit Milano, The Portrait Bust and French Cultural Politics in the Eighteenth Century

(Leiden: Brill).


Nirit Ben-Aryeh Debby, The Cult of St. Clare of Assisi in Early Modern Italy

(Farnham: Ashgate, paperback Edition, Routledge, 2016).

Published in Italian: L'iconografia di Santa Chiara d'Assisi (Milano: Biblioteca Francescana, 2017).​


Nea Ehrlich, Lesley Marks, and Nira Yuval-Davis eds.The Work of Avishai Ehrlich:

Political Sociologist, Activist and Public Intellectual (Newcastle: Cambridge Scholars Press).

Sara Offenberg, Illuminated PietyPietistic Texts and Images in the North French Hebrew Miscellany (Los Angeles: Cherub Press).
Ronit Milano and William Barcham eds., Happiness or Its Absence in Art
(Newcastle upon Tyne: Cambridge Scholars Publishing). 

Daniel M. Unger, Guercino's Paintings and His Patrons' Politics in Early Modern Italy​ 

(Farnham: Ashgate).​


Maayan Amir ed., Documentally: Collection of Essays on Israeli Documentary Cinema

(Tel Aviv: Am-Oved), (in Hebrew). 


Nirit Ben-Aryeh Debby, The Renaissance Pulpit: Art and Preaching in Italy 1400-1550

(Turnhout: Brepols). Published in Italian: Il Pulpito Toscano tra 300 e 500

(Roma: Istituto Poligrafico e Zecco dell Stato, Libreria dello Stato, 2009).​


Nirit Ben-Aryeh Debby, Renaissance Florence in the Rhetoric of Two Popular Preachers:

Giovanni Dominici, and Bernardino da Siena 1356-1419 (Turnhout: Brepols).​