Maayan Amir, Visual Evidence and the
Gaza Flotilla Raid: Extraterritoriality and the
Image
(London, I.B. Tauris, in print).
| 2022
|
Daniel M. Unger eds., Titian’s
‘Allegory of Marriage’: New Approaches
(Amsterdam University Press, in
print).
| 2022
|
Sara Offenberg, Nabih
Bashir, Ehud Krinis, and Shalom Sadik eds., Polemical
and Exegetical Polarities in Medieval Jewish Cultures
Studies in Honour of Daniel J. Lasker (Berlin:
De Gruyter).
| 2021 |
Nea Ehrlich, Animating Truth: Documentary and Visual culture in the 21st Century (Edinburgh: Edinburgh University Press). | 2021
|
Ingrid Baumgarten, Nirit Ben-Aryeh Debby, and
Katrin Kogman Appel eds., Maps and Travel: Knowledge,
Imagination and Visual Culture (Berlin: De Gruyter).
| 2019
|
Sara Offenberg, Up in Arms: Images of Knights and the Divine Chariot in Esoteric Ashkenazi
Manuscripts of the Middle Ages (Los Angeles: Cherub Press).
| 2019 |
,Daniel M. Unger, Redefining
Eclecticism in Early Modern Bolognese Painting: Ideology, Practiceand
Criticism (Amsterdam: Amsterdam University Press) | 2019
|
Nea Ehrlich and Jonathan Murray eds., Drawn
from Life - The First Anthology about Animated Documentaries (Edinburgh:
Edinburgh University Press). [Runner-Up for Best Edited Collection 2020 by the
British Association of Film, Television and Screen Studies (BAFTSS)
Awards].
| 2018
|
Ruth Lubashevsky and Ronit Milano eds., Light in a Socio-Cultural Perspective(Newcastle upon Tyne: Cambridge Scholars Publishing). | 2017
|
Nirit Ben-Aryeh Debby, Crusade Propaganda in Word and Image in Early Modern Italy: Niccolò Guidalotto's Panorama of Constantinople (1662) (CRRS: Center for Renaissance and Reformation, Toronto). Published in Italian: Niccolò Guidalotto e la Panorama di Constantinopoli (Venice: Lineacqua, 2019).
| 2016
|
Nirit Ben-Aryeh Debby, Sally Cornelison, and Peter Howard eds., Word, Deed & Image: Mendicant to the World (Turnhout: Brepols). | 2016
|
Maayan Amir and Ruti Sela, Extraterritorialities in Occupied Worlds
(Santa Barbara CA: Punctum Books). | 2016
|
Nirit Ben-Aryeh Debby, Predicatori, artisti e santi nella Toscana del Rinascimento, (Florence: Florence University Press EDIFIR).
| 2015
|
Ronit Milano, The Portrait Bust and French Cultural Politics in the Eighteenth Century (Leiden: Brill).
| 2015 |
Nirit Ben-Aryeh Debby, The Cult of St. Clare of Assisi in Early Modern Italy (Farnham: Ashgate, paperback Edition, Routledge, 2016). Published in Italian: L'iconografia di Santa Chiara d'Assisi (Milano: Biblioteca Francescana, 2017). | 2014
|
Nea Ehrlich, Lesley Marks, and Nira Yuval-Davis eds., The Work of Avishai Ehrlich:Political Sociologist, Activist and Public Intellectual (Newcastle: Cambridge Scholars Press).
| 2013
|
Sara Offenberg, Illuminated Piety: Pietistic Texts and Images in the North French Hebrew Miscellany (Los Angeles: Cherub Press).
| 2013 |
Ronit Milano and William Barcham eds., Happiness
or Its Absence in Art
(Newcastle upon Tyne:
Cambridge Scholars Publishing). | 2013
|
Daniel M. Unger, Guercino's Paintings and His Patrons' Politics in Early Modern Italy (Farnham: Ashgate).
| 2010
|
Maayan Amir ed., Documentally: Collection of Essays on Israeli Documentary Cinema (Tel Aviv: Am-Oved), (in Hebrew).
| 2008
|
Nirit Ben-Aryeh Debby, The Renaissance Pulpit: Art and Preaching in Italy 1400-1550(Turnhout: Brepols). Published in Italian: Il Pulpito Toscano tra 300 e 500(Roma: Istituto Poligrafico e Zecco dell Stato, Libreria dello Stato, 2009). | 2007
|
